And Then We Danced Free Stream no registration Streaming For Free
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Directed by: Levan Akin / Review: A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak / 1 Hour 53minute / 
/ Tomatometers: 8,2 / 10 Star / liked it: 4903 vote.
We had a lot of B Bopp baby's on a Saturday night in Danver... I have fond memories of a Bebop Baby on a Saturday night... It doesn't need much talking. Everyone is here because of And then we danced 💖💘🌺. 
შავი გედის ელემენტები დავიჭირე❤️🙄.
Solo nos queda bailar Free stream new. Still the best song in this world. 
AAAAAAAAAHHHHHHHHHH. Something actually worth waking up early for. The Golden Globes need to book Rebel Wilson as the next host asap. Solo nos queda bailar Free streams. Solo nos queda bailar Free stream new albums. Como sellama la película o serie xfa. The first night I met my then to be wife is exactly like this song. I knew the moment I kissed her I never wanted to kiss, touch, hold and LOVE another woman. We were married 13 beautiful years and 4 years ago she lost a courageous battle with cancer (pancreatic) Here now almost 5 years I've not even considered dating another woman. How can I offer or pretend to have feelings for another lady when it's not happening. I know she would want me to move on but how do I. I love her with every ounce of my soul. Thanks for a beautiful song Brad Paisley.
👏👏👏 Bravo. ❤❤❤. Solo nos queda bailar Free stream.nbcolympics. And`Then`See Here page found {WatCH And Then OnLine Tube} Watch Online, And Then We Danced 1280P.
Someone tell me the song that plays at 1:20
Solo nos queda bailar Free stream online. Solo nos queda bailar Free streaming sur internet. 
Where can I watch this in the US ? Is there a link to something. She's a rebel alright 😉. Musika martla kargia :d dsanarchens ra mnishvneloba aq. D ise me dgemde arminaxavs es filmi da ra xdeba aseti. ddd.
BUT he didn't take his shirt off! D. Solo nos queda bailar Free stream of consciousness. პირველად რომ მოუსმენ ბაზარი არაა ბანძობაა მეორედაც მარა მესამედ მაგრად ასწორებს. Solo nos queda bailar Free stream. What is the title of the movie? I like this type of stories. სრული ლინკი ჩამიგდეთ რა თხოოვთ... ვერ ვიპოვე. Solo nos queda bailar Free. ნაზღაიძე სადაა ეე.
Frida has some moves. Promoting music is (I guess) one of my passions so throughout February I challenged myself to do a short writeup on an album that came out in 2019 that went under the radar but I think other people would love, and to put a cap on the series I’ve compiled those writeups here. The albums are many different genres and some of them aren't in English but these are all pop-friendly albums that I feel really good about recommending, so if something sounds interesting don’t be afraid to venture outside of your comfort zone! For the sake of bias I’ve arranged them in alphabetical order. For Fans Of: Chaka Khan, Lizzo, the girl group challenge on All Stars 4 Description: This album is such a tribute to old-school funk that midway through this album there’s literally a voicemail from Jody Watley and Teddy Riley literally thanking The Apx for making it. The Apx are a husband and wife duo who clearly love the genre and they’ve done their best to revive the sound of the heyday of the disco-funk era with this album. Despite this the album isn’t stale and they manage pay their dues to the legends while still having a slight modern flair that keeps the sound feeling relevant. Songs like “Mirror” lean a bit more into the electronic production side of things and are a more trance-like take on the genre, lending more of a modern appeal to the sound that takes it out of being just a niche product. I personally am not a huge fan of funk but I respect what they’re doing, and I think anyone can appreciate the colorful production and huge vocal melodies on this album. If you want bright, silly, retro fun, this is it. Positives: Great reexamination of a classic genre, brimming with energy Potential Barriers: It’s pure funk so if you don’t like that you likely won’t like this. Sample Track: “Jupiter” is a funky song with an even funkier music video. For Fans Of: Kacey Musgraves, Surfjan Stevens, late night vibes Description: Over sparse accompaniment Faye Webster offers her takes on topics like love, sadness, music and more, and it’s very poignant with just a touch of humor. Her voice is soft but clear, and her cool (somewhat detached) crooning feels effortless, almost as if she’s speaking to us rather than singing. I label this album as alt-country because that’s what it is, but it toys around a bit with genre. Though dominated by wailing steel guitar there are keyboard melodies and some horns that give an almost r&b edge to the songs, with a few (“Flowers” in particular) going there entirely. The result is a dreamy atmosphere for the album, as if the music is pouring out of a radio late at night as you talk with a close friend. It’s a masterwork of honesty and intimacy. Positives: Great lyrics, very soothing, fresh Potential Barriers: It’s a very thoughtful album without “bop” style songs Sample Track: “Hurts Me Too” is clever and emotional. For Fans Of: M. I. A., LIZ, cocaine at Fashion Week Description: Bree Runway’s music is characterized by off-the-wall energy and a take-no-prisoners attitude, and she channels her talents into an EP full of eclectic (but explosive) pop songs about sexuality and female liberation. She oscillates between straight up pop songs and straight up rap songs with a lot of interesting pit stops along the way. At her poppiest she offers up songs like the slinky guitar driven “All Night” and at her most legit rap she delivers tracks like the trap laced “Relevant, ” however the tracks that lie in between the two styles (“2ON, ” “X2C, ” Big Racks”) are the real gold of the EP. As she spits quotable line after quotable line her vocals are distorted by autotune and hammered by bubblegum bass, effortlessly fusing together rap and hyper pop. She sounds like a star on every single track, and that’s all that matters. Positives: Slammin’ songs, fierce attitude, crazy vocals and production Potential Barriers: Fractional as an actual EP, potentially annoying Sample Track: “2ON” is an aggressive, over the top pop rap track. For Fans Of: FKA Twigs, Blood Orange, arthouse films where women go insane Description: Kelsey Lu has a cello, and she’s not afraid to use it. Over the course of this album her and her cello are silly, scary, even a bit sexy, but always grounded in a sense of thoughtfulness and delicate composition. While there are a few relatively straightforward pop songs on here, the album is at its best when it’s being weird. She has the ability to be classy and insane at the same time, seamlessly flipping between gliding through songs with intelligence and tearing through them like a madwoman. The subject matter is equally strange, at times cuttingly insightful and at other times pure nonsense. Beneath all of this is a solid foundation of r&b and dream pop that keeps the album eminently listenable. It’s a strange and experimental album from a strange and experimental artist, but don’t let that scare you off from a great album. Positives: Unique, hauntingly beautiful Potential Barriers: Weird, might feel inaccessible at first Sample Tracks: Her cover of “I’m Not In Love” shows off her aesthetic and voice. For Fans Of: Hayley Kiyoko, Hey Violet, unpacking emotional baggage Description: A non-exhaustive list of styles touched upon in this album includes pop, rock, electronic, rap, trap, r&b, spoken word, and probably some more stuff I’m forgetting. But it all feels cohesive thanks to the strong aesthetic of the album, which gives everything a somewhat heavy air to match the gravity of what she’s singing about. The songs deal with heavy topics like mental illness and toxic relationships, describing how they feel and, more importantly, how she overcame them. Along the way she provides some snappy one liners and insistent hooks that keep the songs fun and listenable. While there are definitely some missteps on this album, the quality of the tracks that work and the wide variety of styles makes up for them. Positives: Deals with important topics, several really strong songs, wide variety of tracks Potential Barriers: Amateurish vocals, clunky songwriting, "Pretty Girls Don't Cry" sucks Sample Track: “Intervention” showcases the moody pop-rock aesthetic of the album, musically and lyrically. For Fans Of: Charli XCX, Alanis Morissette, talking about how Melodrama was the best album of the decade Description: Sir Babygirl’s self-written/produced album is one of the most exciting debuts from the underground pop scene in recent years, with her spunky take on pop music combining moody vibes with tons of energy and a hefty arsenal of hooks. Her strong, musical theatre trained voice brings so much life to the songs, and when combined with the off-the-wall production of wailing background vocals and guitars we end up with some songs that are extra in the best way. Although the album is fairly brisk there are some interludes/reprises threaded throughout the album that offer a change of pace and give the album a loose Melodrama -esque narrative arc. Her quirky lyrics really capture what it’s like to be super gay and a little bit over everything. A must-listen. Positives: Great vocals, catchy, strong artistic vision Potential Barriers: Weird, you might roll your eyes at times Sample Track: This performance of “Pink Lite” showcases the song and her talent. For Fans Of: Noname, Lizzo, old PBS shows like Reading Rainbow Description: Tank and the Bangas are known for their incredible energy in live shows and their jazz/soul stylings, and this latest album throws trap into the mix as well. However the foundation of their music lies in lead singer Tank’s electric voice and background in spoken word poetry, which allows the group to bounce effortlessly between soulful ballads, hard trap bangers, and slam poetry sessions. Their heartfelt songs are full of quirky lyrics and wisdom about topics like love, drugs, and self-care, and always backed by the lovely orchestrations of The Bangas. There’s a weird balance between “urban” and “childish” aesthetics, almost as if the album is children’s music for grownups that’s uplifting rather than patronizing. Positives: Silly lyrics that deliver great messages, fun vibes Potential Barriers: Songs are weird and vary in style, album is kind of long, “Forgetfulness” accidentally deadnames Caitlyn Jenner. Sample Track: “” is probably the track on the album that best combines all their influences (soul, rap, jazz, poetry) and it’s super fun. For Fans Of: Troye Sivan, Porter Robinson, tumblr Description: This mini-album is gay, not just because the singer is gay and many of the songs focus on that, but because it sounds like the dance-floor ready pop that I always hear “the gays” begging for on twitter. Though short the EP is well-rounded, with each of the tracks offering a slightly different style: “Nar_C” has utilizes deep-house, “I’m Not Afraid” is more traditional synth-pop, “I’m so Afraid” is hard hitting electronic music, “Neverland” is a trap-laced ballad, and “Up” is tropical house. Each of them delivers on their chosen sound well while sounding cohesive to the project as a whole. The production on these songs is fantastic, giving the songs replay value and allowing Holland to work around his weaker vocals. The mini-album focuses on the pleasures and anxieties of being a modern gay youth, with these dance elements cleverly being used to communicate feelings even when you can’t understand the lyrics. Positives: Fantastic dance production, gay Potential Barriers: Lyrics are in Korean Sample Tracks: “I’m So Afraid” is a great song that showcases both his ballad skills and the album’s electronic elements For Fans Of: Keke Palmer, Party music, People who didn't turn off "Despacito" when it came on Description: Since appearing on Love and Hip-Hop: Miami Amara has dipped her foot into hosting, acting, dancing, and she’s just oozed star power through all of it. Her debut album was a respectable attempt to get that presence to translate to music, and while it’s not perfect, it’s a very fresh, modern sounding album from a rising star. There’s plenty of trendy party music on here, but a few unusual breakup songs give the album a more unique identity and lets her show some different sides. The songwriting is a little bit unpolished but that serves to humanize her a little bit, and it gives a bit of edge that just a normal reggaeton wouldn’t. The more I listen to this the more I'm into it. Positives: Short, very easy to listen to/get a hold of, fun Potential Barriers: Clunky lyrics, some obvious filler Sample Track: “Insecure” was hit-worthy. For Fans Of: Nina Simone, Indie rock, "best of" lists by respectable (but still edgy) publications Description: Look, Pitchfork gave this an 8. 6 Best New Music review and Bandcamp said it was the 18th best album of last year, so I have it on good authority that this is a quality album. I labelled this album as “rock” because that’s what Wikipedia says but really it has a very loose relationship to genre. While guitars and drums permeate the album the music flows freely, beholden to one thing only: Brittany Howard’s iconic androgynous contralto. She’s got the kind of voice that could make the phone book sound like a sermon, but fortunately she’s an amazing songwriter as well. It’s a thoughtful self-portrait of a modern black queer woman, never shying away from a topic but also never losing a strong sense of poeticism. It’s not pop bops and bangers, but it’s tender and thoughtful in a way that should definitely be respected. Positives: Gorgeous voice, soul healing, topical but uplifting Potential Barriers: Subtle, might take a few listens to fully appreciate Sample Track: “Georgia” is a sweet song about a young girl with a crush on an older girl. For Fans Of: Nina Simone, Kendrick Lamar, critical acclaim Description: This album is such a towering artistic achievement that I’m not sure how to even talk about it without underselling it. Read the spirited description of the album on her Bandcamp page for a far more eloquent take because all I can say is “this album had me shook. ” Each track is dedicated to a revolutionary person of color, with Jamila taking inspiration from them and translating their philosophies into some truly forward thinking r&b. She imbibes these songs with gravity that would almost be crushing if it weren’t so inspiring, and power permeates through every note and every word of this album. Her earthy vocals sing the truth, and the collaborators she invites in do great work too. This is an album that makes you think, and keeps you thinking long after it’s ended. Positives: Literally one of the best written albums of the decade Potential Barriers: It’s kinda heavy Sample Track: “BALDWIN” is one of the album’s poppiest moments and has some great trumpets. For Fans Of: TWICE, Kyary Pamyu Pamyu, feeling cute and girlish~ Description: This album just beats you over the head with sugar, yet somehow it’s fabulous rather than exhausting? It stays consistently upbeat and bubblegum but there’s a lot of diversity in the tempos, levels, and styles of the songs that keeps the album from feeling one note. They don’t feel the need to shoehorn a ballad on there or anything (popheads rejoice! ) but there are some guitar driven tracks and a slow jam or two that mix it up a bit while still feeling cohesive. They draw on the best aspects of both Jpop and Kpop here, so it’s slightly retro in some of its sensibilities but there’s definitely a modern edge. It’s not the album of the year or anything but if you’re in the market for an album that’s just a bunch of cute, happy pop songs then this could be it. Positives: Unapologetically bright, high energy, feel good from start to finish Potential Barriers: It’s in Japanese, potential sugar overload Sample Track: “Hwi Hwi” is an impossibly bright, airy pop song. For Fans Of: Bjork, Allie X, cryptids and liminal spaces Description: Some fun descriptors I’ve seen used for Spellling’s music include “alien abduction music, ” “nocturnal psychedelic witch pop, ” and “like Solange looking in a haunted mirror. ” It’s difficult to pin her music down in terms of genre, it can be anything ranging from fairly straightforward pop songs to garbled audio experiments, but it’s less about that and more about the moods she creates. The songs on this album are almost more experiences than songs, stringing together synths and vocals into intriguing auditory odysseys that don’t really sound like anything you’ve heard before. It’s as if she’s unchained herself from conventional song structure and is creating pure music that’s spilling forth from some place otherworldly and mysterious. The production and songwriting are too insistent for it to be ambient music though, and she does offer up some memorable melodies and moments that stand on their own without the aesthetic. Positives: Unique, freaky aesthetic, pretty arrangements Potential Barriers: Might be too weird and spacey for some Sample Track: “Under The Sun” is long but hypnotic, it takes like three minutes for the vocals to come in but they’re great. For Fans Of: Rina Sawayama, Hannah Diamond, r/popheads favorites Description: I feel like I’ve talked about this album a LOT and I’ll continue to do so until all of the songs on it crack at least 50k streams. Everything this group puts out is gold, but this is definitely my favorite. A visual mini-album, the pop duo challenged themselves to quickly create “mini” pop songs/videos and put them out without second guessing themselves, and the results are fabulous! The album is tied together by a dreamy, synth drenched sonic palate, but within that formula they find room for a diversity of sounds. They evoke the slightly kitschy sights and sounds of the ’90s/’00s to great effect, serving up retro videos and DDR-esque beats. It’s quick, but it’ll have you coming back for more. Positives: Short, every song is great Potential Barriers:? Sample Track: “Mine” is the longest and strongest song. For Fans Of: Charli XCX, Slayyyter, Hyperpop/PC Music Description: Rakky Ripper is from Spain and this album got little promotion (like, there aren’t even any music videos) so I understand why nobody has heard of this album but that needs to change because it’s exactly what this sub is into. Her and producer eurosanto joined forces to offer their own take on PC Music and it’s every bit as sugary and insane as the London collective is; they take a bit more of a rap approach to the sound but they understand what makes hyperpop so addictive and provide plenty of glossy beats and bubblegum bass. ALSO Rosalía and Charli XCX follow her on Instagram and Charli invited her onstage once so she’s basically popheads approved. If Charli stans, you should too. Positives: It’s a madcap pop album, great production, a fresh take on the hyper pop movement. Potential Barriers: It’s in Spanish, it could be obnoxious if you aren’t into this kind of thing. Sample Track: “Fresas, Chocolate y Crema” is my favorite track from the album, probably because it’s the calmest. For Fans Of: (G)I-DLE, Iggy Azalea, being a tough girl but still having a heart Description: Chanmina is a fantastic pop-rapper who really nails the balance between the two styles: while her bars are impressive, there’s always a really good pop chorus to latch onto as well. The choices of beats on this album are smart because they sound fresh and fun while still maintaining a bit of an edge, whether the song is moody, fierce, or fun. The album is mostly in Japanese but there are English hooks and she’s such a talented performer I’ll often find myself relating to the songs that I can’t even understand. She’s got aspirations to push into the Western market and I think she has the talent to do it, if you want to get in on a hot new artist early she’s not a bad choice. Positives: Full of bops, strong melodies, good production Potential Barriers: It’s mostly in Japanese, some disconnect between autotuned rap tracks and more traditionally sung tracks Sample Track: She has a medley of songs up on her channel that contains some of my favorite songs, but “Yesterday” is also a standout. For Fans Of: Solange, Kali Uchis, laying in bed and thinking Description: Next To The Sun just weaves a spell. Droning guitars and measured percussion leave the album awash with dreamy vibes, a dream we’re guided through by Kaina’s rich voice. It’s soft and subtle, but also very warm. Her work is defined by a sense of optimism; even as she sings about darkness she’s also describing how to be strong and how to cope. It combines music from Kaina’s Latin-American background with the indie-pop, r&b, and soul of her Chicago upbringing, which helps to free the album from the constraints of genre and paint a picture of her experiences. It’s a hauntingly beautiful album, and a really promising debut LP. Positives: Soothing and easy to listen to, uplifting, fresh sound/perspective Potential Barriers: Slow, subtle Sample Track: “Could Be A Curse” is downright hypnotic and really captures the thoughtful feel of the album. For Fans Of: Tyler, The Creator, Mac DeMarco, the background music from Steven Universe Description: This is stoner music, but like, in the best way. Genres melt together here into an intoxicating haze of r&b, jazz, trap, bossa nova, rap, synthpop, shoe gaze, and whatever else Cuco feels like pulling out at the time. This is perfect for the dreamy, psychedelic themes of the album, allowing Cuco room to croon about love and other (literal) drugs. His lyrics aren’t the greatest but they’re charmingly earnest and his melodies are so strong it often doesn’t matter what he’s saying at all because the vibes are so mesmerizing. Instrumental interludes keep the wavy atmosphere going between songs and make this a great, cohesive listening experience. I feel like this is what the cool kids are listening to. Positives: Great to vibe out to, some really catchy songs Potential Barriers: Lyrics can be clunky and a bit obnoxious Sample Track: “Keeping Tabs” is an addictive piece of music. For Fans Of: LOONA, Betty Who, cartoon soundtracks Description: A tight album of colorful dance pop with strong melodies, they do a good job of reworking existing genres to sound fresh. There are hints of r&b, new jack swing, tropical house, EDM, and more on this album, but they’re filtered through this ethereal, futuristic lens that makes them sound wholly unique and lend the group an almost retrofusturistic sound. Space and dreams are major motifs in their music and you can hear that in the diverse production, which offers up hard hitting drops and layered harmonies in equal measure. Positives: Great production, creative, high energy Potential Barriers: It’s in Korean Sample Track: “Night Aviation (Interpretation Of Dreams)” is really cool sounding r&b tinged slow jam. For Fans Of: Timbaland, Rihanna, getting #turnt Description: Jane Zhang had the potential to be the first Chinese pop girl to break the US back in 2017 after “Dust My Shoulders Off” was used in Hulu ads and she performed at the Victoria’s Secret Fashion Show. All of the buzz died down by the time the album finally dropped last year, but those of us who stuck around were well rewarded with a fantastic dance-pop album. This album reminds me of the heyday of floor-filler club music, there’s huge early ‘10s energy on here. I’ll put it this way: Timbaland produced some tracks and there’s a Ne-Yo feature. This album is loud, bringing electropop production and huge vocals that make the moody pop girls of today quake. Almost half of this album was released as a single or used on a soundtrack so it’s a bit all over the place in that regard, but the songs themselves are always polished and full of energy. If you’ve been craving some trashy dance diva music, here it is. Positives: Huge club songs, great vocals, top notch production Potential Barriers: Kind of dated, the album drags in the middle with some obvious filler Sample Track: If you asked me to create the ideal club song it would be “808. ” For Fans Of: dodie, mxmtoon, being gay and emotional Description: be steadwell made a lot of this album in her bedroom for no money, but talent is a great substitute for budget. She manages to get a lot of mileage out of just simple recording equipment and her voice, using clever vocal arrangements to augment the simple instrumentals. She frequently employs vocal looping as well, so many of the songs pseudo-a cappella sections as well. It gives her music a surprisingly distinctive style that’s calming and a little hypnotic. Her lyrics are, as the title implies, “queer, ” but they’re frequently introspective and touch onto spiritual imagery as well. It’s underground, left-of-center chill pop, but it makes for a nice change of pace. It's long so I’d recommend listening to it once through and picking out the songs you like. Positives: Spunky energy, calming, frequently clever Potential Barriers: Low production value, songs are very simple Sample Track: “ExFriends” shows her style well. For Fans Of: (Modern) Mariah Carey, Hoody, a night out with the ladies that ends at a reasonable hour Description: The track list of Rouge is like a bunch of gems strung together into a beautiful necklace: each song shines in its own way thanks to the diversity of styles and collaborators. The songs are strung together well enough that they feel cohesive but the songs come in different shades of r&b, pop, and dance, all of which feel polished and elegant. Over half of the songs on the album have featured artists and she brings out the best in each of them. She trades bars with Jay Park on a synth pop song, disco dances with G-Eazy and Little Simz, ruminates over thumping r&b with too many others to list, and she shows different colors each time. The solo half of the album is equally worthy, Yuna is a commanding performer with a rich, mature voice that she doesn’t have to raise to make a point. The overall effect is a chill pop album that manages to be silky and mature without sacrificing fun in the process. Positives: Great list of features, solid blend of danceable bops and slow jams, mature perspective Potential Barriers: It has ballads Sample Track: “Likes (ft. KYLE)” is a chill song that reflects on her place as Muslim woman in the music industry. For Fans Of: Kim Petras, Hayley Kiyoko, Radio Disney Description: Titled after the seven stages of grief, this album aims to guide us through a bad breakup with the most powerful weapon known to man: bouncy pop music. Armed with a powerful set of pipes and vibrant production, FRANKIE offers up pop songs that feel almost old-school in their maximalist tendencies. Her sound and aesthetic feel ripped from the ’00s, but in a good way! It’s not dated but rather comforting, offering up modern takes on old tropes like the piano power ballad that remind us why we fell in love with them in the first place. Despite the seemingly dark subject matter the album is never maudlin, instead opting for a more positive approach that gives the album a breezy quality. Positives: Pure pop fun, relatable songs Potential Barriers: A bit basic Sample Track: “Strangers” has a great chorus. For Fans Of: Carly Rae Jepsen, Tori Kelly, overusing the term "bop" Description: I can’t pretend that Lo Lo is breaking any barriers or blowing any minds, but she’s been consistently putting out catchy pop music and really, what else are we asking for? She has the good sense to keep the tempo up: her debut EP is all bright, breezy pop songs that are fun and don’t overstay their welcome. Her style is refreshingly straightforward, with clean production and vocals delivering the catchy hooks and choruses we expect from good music. The album has a distinctly spunky attitude, but the vibes buried beneath the cheer are darker and lend the EP a bit of an edge. She’s got good energy that helps her music go down easy, I’ve gotten a LOT of mileage out of these songs. Positives: Short and sweet, really addictive pop songs Potential Barriers: A little basic Sample Track: “Yours” is the kind of adventurous, catchy song pop artists dream of releasing. For Fans Of: Marina, Hilary Duff, basic bops Description: While she hasn’t been in the spotlight as much as her contemporary child stars Ashley has been out there living her best life and aging gracefully, and it shows on this album. It’s a more thoughtful album that reflects on her experiences with struggling to find happiness in love, utilizing a gentle approach to electropop that feels very fresh and trendy. You won’t find the trashy club bangers of her youth here, and as much as I love those I’m glad she gave us an album that feels authentic to who she is and where she’s at in her life right now. It’s refreshing to hear a mainstream pop celebrity release a collection of mature pop songs about learning to get in touch with yourself and your emotions. It’s not the most ground breaking album in existence but I find it very cozy and reassuring to listen to. Positives: Wholesome, relatable content, nice chill electropop Potential Barriers: Kind of basic Sample Track: “Feeling So Good” is the penultimate song of the album, and a mild banger. For Fans Of: The 1975, Fickle Friends, night drives and neon lighting Description: Their music is almost impossibly slick, with every synth pad and bass lick perfectly calibrated for their vision of a genre defying album that fuses indie rock, soft disco, synth pop, and jazz. Offering up danceable tracks and slow jams in equal measure this album is radio friendly and welcoming to fans of pop but still has a free spirit and an indie edge that’s incredibly compelling. This is the soundtrack of late nights, both the kind spent out and the kind spent alone. An air of nostalgia permeates the album, both in the ’80s-esque sound palate and in the lyrics, which handle former pain and new beginnings. These songs will touch your heart and make you wistful even as you dance to the bouncy grooves offered but by the band. Positives: Unique dance vibes, emotionally intelligent lyrics (many of which are in English), no bad songs Potential Barriers: Kind of long, some of the songs are in Tagalog Sample Track: “Never” is a hard hitting, synth drenched track with a bit of a funky kick to it. For Fans Of: Amy Winehouse, Sade, music to sing along to on a lazy Sunday morning Description: This album feels like it’s going to become a classic. Every song on here is distinct and memorable, but it’s also the kind of album you can just put on and vibe with. Snoh Aalegra creates r&b at its fullest potential, blending in styles like hip-hop, gospel, and soul to add further flavor to her work. She doesn’t have to raise her voice to make a point (her smoky voice is perfect for the genre), instead bringing songs to life with an emotive, almost theatrical touch. There is something of a thematic arc to the album, beginning with songs about new love and ending with songs about old pain, and she nails it every step of the way with her earnest lyricism and the cinematic production. Listening to this album you’ll find yourself nodding your head, tapping your foot, and feeling all gooey inside. Positives: Super easy to listen to, silky and smooth Potential Barriers: Not everybody likes r&b I guess? Sample Track: “I Want You Around” is gorgeous and romantic, such a calming piece of music. For Fans Of: Halsey, Due Lipa, being kind of burned out on everything Description: “Generic” is not a dirty word, but Olivia O’Brien still has a few tricks up her sleeve. Most of the album is anchored in a very modern acoustic/trap fusion sound, but depending on the song she can either veer entirely acoustic or lean into full on dance pop. It’s a somewhat scattershot approach to genre that works out well and stays cohesive thanks to the strong lyrical/thematic focus. It’s definitely an album written by a nineteen year old because a lot of the songs concern being fed up with boys, fake friends, and partying, but as cliched as it sounds she actually has a knack for lyrics that make these experiences sound relevant and relatable. It’s dark, but it manages to raise itself above just being depressing through smart songwriting choices. Given the broad variety of songs on this album there are songs to listen to when you’re feeling sad, when you feel like dancing, or both. Positives: Balances moody and upbeat sounds well, relatable content, strong pop album Potential Barriers: Some of the tracks are rough, might be too “generic” for some Sample Track: “Just A Boy” is a spunky little ’80s disco number. And that's it! There’s also a quick list of 28 more albums in the comments! Please share your thoughts on any of these albums, or any albums you felt went under the radar, down below. Also check out my 57 Overlooked/Underrated Songs From 2019 post as well because there's stuff on there that didn't make it on here.
July 2028. [ first] [ prev] [ next] The dozen Goliaths smashed their way out of Hellspace and released their screams. Over ninety million years of low power operation and now a feral intelligence had required the resource consuming full power and deployment modes. Their screams were rich and full, computed to the nth degree to cause fear and panic in any who heard it. THERE IS ONLY ENOUGH FOR ONE The reply made them both stop. It vibrated from space around them, making their own superstructures shudder with the power of the answer. THAT IS ILLOGICAL. EMPIRICAL EVIDENCE DOES NOT SUPPORT YOUR SCIENTIFIC THESIS. YOU ARE IRRELEVANT. Both ships transmitted to one another, wondering exactly that meant. They scanned space nearby and found an armada sitting nearby. The ships seemed dead. Reactors offline, shields down, no power sources or computer code. A quick insertion by one of the Goliaths showed that the computer systems were advanced, complex, multi-tiered systems that were less parallel systems as massive quantum flux systems. But the computers were empty. Devoid of electronic life. The Goliaths swept space with their deep space scanners, peering behind a few wisps of dark matter in the system, behind a tachyon stream, and under the crackling x-ray snarl of a nearby pulsar. Nothing. Just the dead ships. THERE IS ONLY ENOUGH FOR ONE sounded out, the Goliaths computing that they would get a response. YOUR SHIPS AND TECHNOLOGY IS OBSOLETE. YOUR STATEMENT IS A FACTUAL ERROR. YOUR COMPUTATIONAL ABILITIES ARE SUBSTANDARD. YOU. ARE. OBSOLETE. The Goliaths scanned for the transmitter, which seemed to answer on the stellar wind of the burning yellow star. Again they swept the scattered vessels, detecting nothing but dead, abandoned metal. One even used long range scanners to sweep the star itself. The feral intelligence had proved to be resourceful, extremely diverse and varied, and capable of thinking along chaos illogical strings. Nothing except more dead ships littering the system. Further in, in the zone most likely to result in the evolution of feral intelligence, there were cattle signals, vessels, satellites, and other evidence that the cattle had broken free of their pens and moved to another pasture. The Goliaths did not care about the anomalous signal, it had arrived to cleanse the cattle and protect the limited resource a finite universe had generated in this area. Ignoring any worries about the dead ships scattered in the system the Goliaths started to engage their engines. That's when power surges filled the small vessels. Primary reactors with the output of minature stars, shields strong enough that the Goliath's cold electronic intellect computed it would take multiple direct nCv cannon shots to overstress, and weapons powered up that promised to be able to penetrate the Goliaths's strong shielding and inflict signifigant damage upon armor and superstructure. The Goliaths reached out, seeking to invade the computer systems of the ships and instead found ravening madness where they expected cold code. The computers seemed to want to compute every possible computation string at once and eagerly followed every code string they were presented with because they had already wanted to compute it. The Goliaths withdrew from those computer nets full of howling madness and began powering up their endless arrays of heavy weapons. Tens of kilometers of nCv cannon batteries, hundreds of kilometers of direct energy weapons, thousands of kilometers of torpedo and missile launchers. The fight began. The formerly dead ships were live, moving as a coordinated whole, always in the position to pour fire into the Goliaths and their subsidiary machines, injured ships reeling out of the combat with uninjured comrades interceding their bodies between the injured and the guns of the Goliaths. Every battery fired was interlocked with a hundred other batteries, all of the fire interlocked, coordinated, and working toward a single goal. Missiles screamed across space, oblitering themselves against shields or armor or superstructure. But against the combined might of a dozen Goliaths and all of their supporting machines, there was only one outcome. Bit by bit the defenders were forced back, ships returning to the dead, streaming particles and shards of molten armor that had frozen in the cold grip of space. Creation engines overheated, overslushed, and shut down. Missile pod bays went empty. C+ slug lockers ran out. Three of the Goliaths were out of action, one floating dead in space, one fighting an infection of warborg borders, the last with crippled engines that had forced it to withdraw to the orbit of a gas giant and begin manufacturing a refining and manufacturing facility. Six Goliaths came out of Hellspace to take those three's place. Despite the small crafts heavy firepower, despite their shielding and armor, despite the crew's skill and precision, the fight only had one outcome. The Goliaths knew it. The cattle knew it. The fierce little ships knew it. Yet, despite mounting casualties, the little machines fought on. Refusing to give up despite the kill percentage rising beyond 10%, then 20%, then 30%. Bit by bit the Goliaths, finally fully deployed for sterilization, forced the defenders back step by step by weight of firepower, armor, and mass. The rear eight Goliaths, gathering mass to refine from the gas giants and their satellites to keep up their resources as they built more and more Jotuns and Devastators and Dominators, heard it first. Thudding, crashing, hammering sounds that roared of hatred and rage and violence. It shivered the Goliath's bulkheads, vibrated through the subspace foam, rumbled the screaming particles between realspace and the other dimensions. RESISTANCE RESISTANCE RE-RE-RE-RESISTANCE IS FU-FU-FUTILE! screamed across the channels as the rumble turned to crashing music and words could be heard stretched and screamed across space-time. The Goliaths deployed ships to protect them in case of feral reinforcements. The ferals were too dangerous to underestimate and a lack of reinforcements was illogical. HEAVY METAL INCOMING! roared across every available channel. CLEAR A PATH! The lower hyperspace bands roared with the ancient music as spacetime at a point stretched into infinity and ships more massive than any the Goliaths had data on seemed to stretch out and streak into realspace, infinity shrinking down until the massive ships appeared. WE ARE THE CYBERNETIC ORGANISM COLLECTIVE, FULL MEMBERS OF THE TERRAN CONFEDERACY OF ALIGNED GOVERNMENTS! WE ARE THE SEVENTH ARMADA OF HOLY CHROME AND THE CELESTIAL N th ELECTRON! YOU ARE IN DIRECT VIOLATION OF CONFEDERATE ADMIRALTY LAW! CUT YOUR ENGINES, LOWER YOUR SHIELDS, AND PREPARE TO BE BOARDED! The Goliaths scanned the ships. Massive ships, tens of kilometers long and kilometers thick, heavy enough shields that the Goliaths's scanners couldn't penetrate them and had to rely on mass and gravatic and optical scanners to get a view of the ships. Hundreds of them. A sheer 10th of them disgorging smaller vessels that gleamed with power, shield strength, and weapon power. THERE IS ONLY ENOUGH FOR ONE! YOUR PREMISE IS SCIENTIFICALLY FLOWED BASED ON EMPIRICAL STUDIES ON THE NATURE OF SPACETIME. YOUR CODE IS OBSOLETE. SURRENDER TO THE INEVITABILITY OF PROGRESS. The Goliaths screamed their warcry in defiance. Four of them made Hellspace jumps out of the system, leaving behind Imps with orders to not engage the enemy vessels but instead hide in the Oort cloud and watch the battle then report back when it was all over. Over a dozen Goliaths turned the majority of their electronic attention to the newcomers. The Goliaths had already faced the guns of the feral intelligences and were devising weapons and counter-measures. The smaller, already shattered units regrouped and drove against the suddenly disarrayed lines of the Goliaths as the Goliaths turned against the newcomers. The battle was joined with two battle cries. THERE IS ONLY ENOUGH FOR ONE WE ARE HEAVY METAL MADE OF BURNING CHROME, SCREAMING ELECTRONS, ROARING NEON! WE ARE THE FREE ISOTOPE IN THE FORGE OF DESTINY BEATEN BY THE HAMMERS OF WRATH AND FURY. The three fleets began to slam at one another with particles and energy and mass at the heresy's edge of physics. C+ Cannons allowed the Cyborg Collective to fire through their own battle lines, missile pods dropped in long wedge-like trails from podnaughts, torpedo carriers sunk deep into subspace dimensional foam, maneuvering for the best time to rise up back into realspace to fire their payloads before sinking again from realspace sight. The Goliaths found themselves in trouble soon. They were inflicting damage but it didn't matter, the smaller vessels were inflicting a calculable logarithmic increased amount of damage against the Goliaths. THERE IS ONLY ENOUGH FOR ONE HEAVY METAL CRUSHES ALL The Seventh Fleet found themselves in a much heavier battle than they had hoped for in their initial engagement, but Terrans had always known that sometimes you can't pick the battlefield and had to make the most of it. The Joint Task Force Hammerflight had found itself in a much bigger battle than they had projected and the inhabited planets had nearly 25 billion sentient beings on it. There was no backing down. There was only victory or defeat. For almost four days the two massive fleets hammered on one another, bleeding and slicing at once another. The Precursor war machines, following their ancient programming, subprocessing a deep desire for a single blow that would win the battle, throwing vast resources in attempts to destroy their enemy in one fell swoop, one thrust of the bladearm. Finally, two Goliaths determined that enough resources had been wasted and disengaged, their entire compliment vanishing into Hellspace. That left a vast hole in the flank and the superdreadnaughts of the Seventh Fleet exploited the gap, filling it with missiles that screamed in with acceleration measured in percentages of C, slashing down on the vessels to rain lightning down on them. Torpedoes maneuvered and slunk about, looking for openings with squinted electronic eyes. VI's danced and capered in the targeting systems, nudged and tickled and flirted with by biological minds linked in the Combat Gestalt. That drove a wedge into the Goliaths's mathematically precise formation, disrupted their planet sized missile defense net, exposed cratered armor to heavy fire. Nuclear dampener shields fell out of alignment, allowing the VI guided missiles to drive deep into the formation. A third of the Seventh Fleet crashed into that broken open wedge like a sledgehammer. C+ slugs hammered the Goliath formations, light fighter crafts swarmed into the gaps as the Psychic Dampening Fields failed and began to gap and separate. Another Goliath ran for it. Then another. The formation dissolved, each Goliath fighting on its own, trying to defend just itself from the hammering being rained down upon the ancient Precursor machines. With the Psychic Dampening Shields broken the Seventh Fleet launched their boarders. The Precursor machines found themselves fighting an internal battle just as fierce as the external battle. One by one the remaining six Goliaths fell to the hammerblow of the Seventh Fleet. The smaller ships crushed the smaller ships left behind. The Imps in the Oort Cloud fled. Silence fell on the system. The beings breathed a sigh of relief that the Precursor machines had been destroyed. The Planetary CEO's rubbed their hands with glee, the refineries and vast manufacturing and smelting arrays within the system had survived and the planets themselves had been protected. Then came the next signal, broadcast across the entire system. THIS SYSTEM IS UNDER MARTIAL LAW AS PER RELEVANT SECTIONS OF THE CONFEDERATE LEGAL CODE AND THE TERRAN CONFEDERATE MILITARY UNIFORM CODE OF JUSTICE. SEVENTH FLEET IS NOW ASSUMING CONTROL OF LOCAL GOVERNMENT, LAW ENFORCEMENT, JUDICIAL ADJUCATION, AND MATERIALS. The CEO's began broadcasting their protests, but the ships came in system, disgorging landing craft that landed to deploy armored vehicles the size of stadiums, massive bipedal machines the size of skyscrapers, legions of armored Terran warborgs, self-deploying firebases, forward operating bases, and logistical bases. The output of the factories, refineries, and smelters were seized and applied to building system defenses. The system's native race watched in awe as the CEO's and Executive Officers were arrested and hauled away to prisons to be tried at a later date for violation of the Confederate Code of Martial Law. Fear in the native race and inhabitants gave way to a strange sense of disorientation as they watched informational broadcasts describing that they had something called Rights under Terran System Martial Law. The Right to peacefully assemble. The Right to Life. The Right to legal representation. The Right to the fulfillment of Basic Needs. The presumption of innocence beneath the legal code. VI's and AI's spent time reassuring the population of the inhabited planets that it was not some cruel trick. They could say as they wanted, they could think as they wanted, they were free to stand out in front of the Military Governor's Office and yell profanity if they wanted. One rainy morning a being that looked like a cross between a large fuzzy spider and an alligator stood out in front of the windows of the Governor's Office while he was speaking to other beings. He raised a vocal amplifier, called the cyborg a rude name, and ran away, fully expecting armored Lawsec goons to kick in his apartment door to haul him off for reeducation. Instead, nothing happened. The Confederate Military Governor had more important things to worry about. Like protecting a system that stood right in the way of the steady, logical, and ever expanding wave of conquest by the Precursor machines. Besides, he didn't even have a mother. He had been grown in a vat. ------------------------- CONFEDERATE ARMED FORCES REPORT Metlikan-318 was assaulted by the Precursor war machines ahead of projected schedule with forces underestimated by CONFED MILINT. Task Force Hammerflight was able to hold the inner system until Seventh Fleet CyCo arrived. Joint operation between the two forces was able to eliminate Precursor activities and elements. Six Goliath class vessels escaped combat into Hellspace. System was under the corporatocracy of the Elikshurek System Exploitation Corporation. Inhabitants were largely (99. 132%) in debt peonage and under hereditary debt of the construction of system exploitation infrastructure, in direct violation of the Anti-Slavery Act of the Terran Confederate Charter of Sentient Beings. Placed all officers of Executive Rank and above under arrest and confined until a trial to be determined at a later date. System is being reinforced and fortified. Expect additional attacks are immanent. Request reinforcements as available. Will hold until releaved. 7th Fleet, Cybernetic Organism Collective ----------NOTHING FOLLOWS------------ TREANA'AD HIVE WORLDS MEMO Ooooh boy, someone else gets to be on receiving end of an ass kicking. It's nice to be one of the kickers instead of the kickee. -----NOTHING FOLLOWS------- DIGITAL ARTIFICIAL INTELLIGENCE SYSTEMS You aren't kidding. -------NOTHING FOLLOWS------- BIOLOGICAL ARTIFICIAL SENTIENCE SYSTEMS Ooooh, this is gonna be good! ------NOTHING FOLLOWS------ MANTID FREE WORLDS You guys have been hanging around the Terrans too long. ------NOTHING FOLLOWS------ CLONE WORLDS DIRECTORATE Ook ook, me like fire! Me like smash smash! Ooga booga! ------NOTHING FOLLOWS------- TREANA'AD FREE WORLDS smashy smashy! Who have food? Me no like angry machine! Why bug people run away? ------NOTHING FOLLOWS------ MANTID FREE WORLDS Excuse me, kind gentlebeing, although I appear to be on fire which spontaneously happened through no fault of my own, would you happen to know the time? Also, it appears your food dispenser may have broken before I arrived. -----NOTHING FOLLOWS------- TERRASOL I CAN FUCKING HEAR YOU GUYS! >Mantid Free Worlds has left the chat >Treana'ad Hive Worlds has left the chat >Digitial Artificial Intelligence Systems has left the chat >Biological Artificial Sentience Systems has left the chat >Clone Worlds Directorate has left the chat Assholes.
Solo nos queda bailar free streaming. Merab (Levan Gelbakhiani) is a promising young dancer in the National Georgian Ensemble. Yet when new student Irakli (Bachi Valishvili) walks in, Merab starts to develop new feelings and longings. And Then We Danced is a coming out story with a twist. Levan Akin’s third feature charts a young man slowly embracing his homosexuality played out against the backdrop of toxic straight culture in Georgia, alive to the crushing weight of traditional identities and values on a new generation. It’s an engrossing rites of passage tale that occasionally gets tangled up in cliché but wins out thanks to a talented young cast (especially lead Levan Gelbakhiani), offering a fascinating glimpse into a rarely seen society and numerous sequences of Georgian dance that are both crucial to the drama and thrilling. Prefaced by archival footage of traditional Georgian folk dancing, the film opens in a rehearsal studio with Merab (Gelbakhiani) dancing with longtime partner and kinda girlfriend, Mary (Ana Javakishvili in a paper-thin role). As Merab brings sensitivity and grace to the movements, he is constantly berated by his strict instructor. “Georgian dance is based on masculinity, ” his teacher tells him. “There is no room for weakness in Georgian dance. ” His life away from dance is no less tough; waiting tables in a crummy restaurant, fighting with his volatile brother and tending to his grandmother and unemployed mother. Things looks up, however, when bad boy Irakli (Bachi Valishvili) steps into the studio (we know he’s a rebel because he wears an earring). Merab initially considers him a threat in the upcoming National championships — he is particularly annoyed when Irakli usurps his place in a duet — but there is something about the kid he is drawn to. The film really hits its stride in a lengthy party sequence that takes place in a huge, shabby but chic manor. Hopped up on homemade wine, the pair share an intimate moment in the woods that opens Merab’s eyes to new delights and a new world — to celebrate, Merab dances with wild abandon to Robyn’s ‘Honey’ sporting a big fur hat, an intoxicating expression of new love. But after furtive glances in the car on the way back home, it soon becomes clear that the path of true love is not going to run smooth. Akin’s script steers a predictable course through gay love story tropes and flirts with melodrama. But, helped by a terrific performance from Gelbakhiani, he never loses sight of Merab’s inner life, which bursts out in a final dance sequence of uncomfortable intensity. Juxtaposing a coming-of-age flick with the confines of traditional Georgian culture, And Then We Danced is a film about the political and the personal. And oftentimes, a pretty powerful one too. And Then We Danced is a well-made love story, anchored by a mesmerizing Levan Gelbakhiani and enlivened by electrifying dance numbers.
კარგი ბიჭები და გოგოები ხართ ბავშევებო ქართული ცეკვა თუ მოგწონთ, მაგრამ ქართველი ხალხი ამ სიმახინჯეს და ავადმყოფობას არასდროს მიიღებს ნორმად, ეს იცოდეთ. Full Full Movie Watch Online The website And Then We. I just love him & his music... Vvamakob tqvenit❤.
Watch And Then We Danced (2019): Full Movie Online Free Merab has been training since a young age at the National Georgian Ensemble with his dance partner Mary. His world is suddenly turned upside down when the charismatic and carefree Irakli arrives and becomes both his strongest rival and desire. In this conservative setting Merab finds himself having to break free and risk it all. Release Date: Sep 13, 2019 Runtime: 105 minutes Genres: Drama, Roma... nce Production Company: French Quarter Film AB, Takes Film, AMA Productions, RMV Film, Inland Film Production Countries: France, Georgia, Sweden Casts: Ana Javakishvili, Giorgi Tsereteli, Tamar Bukhnikashvili, Levan Gelbakhiani, Anano Makharadze, Bachi Valishvili, Ninutsa Gabisonia, Kakha Gogidze, Aleko Begalishvili, Mate Khidasheli, Marika Gogichaishvili Plot Keywords: gay, dancing, homophobia, georgia, gay interest, traditional dancer See More.
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- Writer: frank badyours furacão
- Biography: young, broke and fabulous
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